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“Object Self (part 2)” with Olga Suchanova – Digital 3D augmented reality portraits

In a collaboration with visual artist Olga Suchanova, in “Object Self“, Kelise and Olga use digital technology to create 3D augmented reality [AR] portraits as a personal expression of self.

Much like old-fashioned painted miniatures, these digital portraits, too, can be carried in the pocket, yet with the avant-garde medium of AR and viewed through the frame of the smartphone screen, a digital portrait becomes 3D sculpture that can be placed anywhere and viewed from all sides.


Darling, you are a work of art.

To see our growing collection of “Object Self” portraits, scan or tap this QR code (sketchfab.com)

More info

Kelise and Olga will demonstrate how these AR digital 3D sculptures are made during the Object Self workshop as part of  Tate Staff Biennale 2019 on

  • Wednesday 28 August 2019 – 2:00P to 6:00P – Level 5, Tate Exchange
  • Sunday 1 September 2019 –  12:00P to 4:00P – Level 5, Tate Exchange

Responding to Tate Exchange’s theme for year 3, Movement, The Inside Job Collective have been invited to take over Tate Exchange and pull together the work of staff across all Tate sites into one exhibition. The exhibition showcases the often-hidden skills of staff members at Tate and allows you to see the impact of working with Tate’s collection has had on their practice.

Approaching the different strands of Movement through varying mediums, there will be a dynamic series of live performances, workshops, installations, film and 2D works, as well as an evening of specially curated music and performances from staff for the August edition of Uniqlo Tate Lates.

About the Inside Job Collective

The Inside Job Collective are a group of Tate Staff who organise and curate an exhibition dedicated to the many creative talents of their colleagues.

Helen Dixon, ‘Big Blue no 4’. Image courtesy the artist and Inside Job Collective.

“Object Self” is supported by Vectary 3D, the leading online 3D design tool on www.vectary.com.

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Make your own story with Corduroy Dog using AR (demo/instructions)

Scan (or tap) the QR code with your smart phone and you can take my childhood memory of Corduroy Dog with you and make your own story. Keep scrolling to share your story, find out“how to” and see a demo, or to watch the film.

Apple or Android (Vectary viewer) – Safari browser recommended
Android/other smartphone (Sketchfab viewer)

Share your story

Some hashtags and @’s:

#digitalart #digitaldesign #interactiveart #augmentedreality #virtualreality #ar #vr #corduroydog #dogsofinstagram #digitaldogs #petstagram #toystory #toydog #velveteenrabbit

@kelisefranclemont @vectary3d @tate @tateexchange @insidejobcollective


how to (PDF)

Click to View/Download Make-your-story-with-Corduroy-Dog (PDF)


Demo


watch the film

 

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Corduroy Dog (or, How Memories Become Real), 2019, digital film and AR object, dur. 21m13s (feature short)

A story of how a childhood memory became Real. The main character, Corduroy Dog, is made in virtual 3D from the memory of a precious childhood artefact, and becomes the main character in the re-telling of a favourite bedtime story.

Mock-umentary (duration 21m13s), digital film and digital/AR memory object (Corduroy Dog). Directed, filmed, and edited by Kelise Franclemont. Reading from “A Velveteen Rabbit” (1922) by Margery Williams.

As seen in Tate Staff Biennale 2019


Corduroy Dog was made real by Vectary 3D.

http://www.vectary.com
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‘Corduroy Dog (or, How Memories Become Real)’, 2019, digital film and digital/AR objects (trailer)

Here is the story of how a memory and a seminal artefact from my childhood became Real.

Mock-umentary (duration approx. 20 minutes), digital film and digital/AR memory object (Corduroy Dog). Directed and edited by Kelise Franclemont. Reading from “A Velveteen Rabbit” (1922) by Margery Williams.

Feature short coming soon (28 August 2019)!

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“Object Self (part 1)” with Olga Suchanova – Digital 3D augmented reality portraits

In a collaboration with visual artist Olga Suchanova, in “Object Self“, Kelise and Olga use digital technology to create 3D augmented reality [AR] portraits as a personal expression of self.

Much like old-fashioned painted miniatures, these digital portraits, too, can be carried in the pocket, yet with the avant-garde medium of AR and viewed through the frame of the smartphone screen, a digital portrait becomes 3D sculpture that can be placed anywhere and viewed from all sides.

To see our growing collection of “Object Self” portraits, scan or click this QR code:


More info

Kelise and Olga will demonstrate how these AR digital 3D sculptures are made at Thames-Side Studios Open Studios weekend on Saturday 15 July 2019, 12-4pm (Unit 5, Studio 5-225). 

Thames-Side Studios is home to an impressive array of more than 500 creatives and the Open Studios event is a unique opportunity to meet the makers, talk about what they do, and to buy directly from their studios.

The array of creative practice at TSS includes painting, drawing, fashion design, carpentry, jewellery, millinery, photography, printmaking, ceramics, sculpture and installation, tailoring, leather work, picture framing, stained glass making, writing, upholstery, illustration, textiles, conservation and restoration, lutherie, graphic design, furniture design, film and video, skin care, architecture, wood working, laser cutting, clock making, product design, book binding, and much more…

Click the yellow thumbnail to read more…


“Object Self” is supported by Vectary 3D, the leading online 3D design tool on www.vectary.com.

 

 

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I was a thing (the poet objects) with Mosab Abu Toha, 2018, poet object and plinth, in Passion for Freedom Fest 2018, London

as seen in 10th anniversary Passion for Freedom Festival 2018, Royal Opera Arcade Gallery, London. From 1-12 October 2018.

Kelise Franclemont and Mosab Abu Toha, ‘I was a thing (the poet objects)’, 2018, poet object and plinth, in Passion for Freedom Festival 2018, London. Photo credit Kelise Franclemont.

A mysterious black cube-shaped poet-object slowly extrudes a long strip of paper that gathers in a growing pile. The text contains poems, one-line reports, and other thoughts by Mosab Abu Toha, a poet in Gaza. Every now and then, another few lines of text come out as Abu Toha shares his poetry and prose with UK viewers real-time via the Internet, even while remaining entrapped in Gaza City, presuming of course, electricity supply is available to his neighbourhood.


About

“I was a thing” is collaborative effort between British-American artist Kelise Franclemont and Gazan poet Mosab Abu Toha.

Mosab Abu Toha is an author, English teacher, and founder/director of the Library and Bookshop for Gaza, a project which gained international support through a humble crowd-funding appeal, resulting in a growing library of English, Arabic, and other volumes made available to the Gazan public. Along with the hundreds of books and periodicals, Abu Toha and his small staff offer a range of English classes, creative writing and literature clubs, and other activities.

Kelise Franclemont is a visual storyteller offering objects or experiences about remembering and identity, often considering the immutable line between Other and Self. In the making, she will often appropriate materials, objects, or other more ephemeral cultural artefacts such as ritual, using documentary tactics to remake these artefacts into a new narrative, or into a newly-contrived situation based on some truth, allowing the viewer to discover truths of his or her own.

Links

  • About Passion for Freedom Festival 2018 – 10th anniversary festival, exhibition, and awards event “…dedicated to shared values of free expression, and the power of art to inspire, awaken and shake the world”. From 1st – 12th October 2018.Click to view/download more info:
      
  • About Library for GazaSince 2017, offering  “…a safe space for people to meet and exchange ideas and experiences [with] books lending, reading section, study halls, meeting room, children’s activities, along with seminars and organised lectures delivered by international guests…” 

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‘Prayer for Rain’, 2017, copper, hologram, and sound (dur. 28m07s, looped)

Prayer for Rain“, an installation of copper, hologram, and sound is part of “Stations of Water” exhibition, with nine contemporary artists commissioned to create artworks, including sculpture, painting, installation, and film, in conjunction with justwater2017.org, at St. Paul’s Cathedral, London. From 25 September to 27 October 2017.

Kelise Franclemont, ‘Prayer for Rain’, 2017, hologram, copper, and sound, in ‘Stations of Water’ at St. Paul’s Cathedral, London. Image courtesy the artist. Photo credit Graham Lacdao.

A single drop of water which seemingly emanates from the copper basin on the floor, travels up the pipes, to be released skywards one precious drop at a time.

It is through faith that this drop becomes the carrier of hope, as it gently floats upwards in glittering repose, taking with it prayers within all of us, whether we are creatures of land or sea.

Along with the simple act of faith in raising one’s gaze to the sky, actual “water prayers” from all over the world can be heard, beseeching whomever will listen, to revere this priceless life resource, seek rescue when we are overwhelmed, or beg relief from the peril when the rains won’t fall.

Click to view/download “Prayer for Rain” exhibition map/guide:


More INFO about “Stations of Water”

Exhibition details: Stations of Water” opens 25 September through 27 October 2017 at St. Paul’s Cathedral and crypt, St. Paul’s Churchyard, London, EC4M 8AD. Paid entrance; step-free access.

Please note the exhibition is included with paid entrance to St. Paul’s Cathedral during sight-seeing hours:

Monday to Saturday
8:30AM to 4:00PM (last entrance)


Special thanks are owed to voice-over artist Vicky Tessio (for sharing her lovely voice on the soundtrack by reciting two Catholic prayers in Spanish) and to author and director of Library for Gaza, Mosab Abu Toha (for sharing his poem “Dejected they stand…” which appears on the hologram prism).

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‘Automatic Running (drawings between my feet and my smartphone)’, 2016, digital drawings (slideshow)

At first glance, this is simply a different way of drawing, in which I am performing the act of drawing, but not making the marks with my hands, but rather with my feet. I.e, By carrying a smartphone whilst exercising, through use of an app called Nike+Running, I create a recording of the activity – the route, the distance run, and the time elapsed from start to finish. Thus, the running activity is recorded as a line drawing superimposed over the satellite imagery of the location.

I made the gesture, the movement with my body, and Nike+Running software made the mark.

At another level, these drawings question the agency and intention: who really is the author here?

Automatic_Running_drawings_2015-03-27_21-1km_lg

These abstract images are also about recording and memory in that, much like marks on paper, these digital drawings are the only record of my having been there at that moment, in that place. But wait… current technology and insta-culture allows another means to state “I was Here”… through a smart phone and social media.

Symbols begin to emerge from abstract shapes, asserting themselves with hashtags…suggesting a deeper meaning, they try to become something more than just the length of a line… a starting point, an ending point, a shape, an object, an animal…


More links and information

 

Have a look at the digital slideshow of the Instagram drawings on Vimeo [6:19 minutes, looped] – as displayed on an iPhone 6/6s

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Duo show ‘Fragments and Traces’ about time, memory, and travel – Platform 1 Gallery, Wandsworth Arts Fringe

Fragments and Traces: l’invitation au voyage

Kelise Franclemont and Antonia Jackson  explore memory, travel, and passage of time through paintings, installation, and new media. Throughout each day, along with the exhibition of artworks, Antonia and Kelise will engage visitors in trading memories and creating new ones in an ongoing make-one/take-one souvenir postcard exchange.

Fragments and Traces: l’invitation au voyage” is in conjunction with Wandsworth Arts Fringe 2016, a festival of creativity and performance throughout the borough from 6 to 22 May 2016.

Fragments_Traces_e-flyer_02b

One subsequent weekends at Platform 1 Gallery are two more shows:  “Transcending” from artist Ema Mano Epps with Verica Kovacevska and Norman Mine, and finally, “Fragment” by sculptor Anna Flemming.

Click the flyer below to see more details:


More links about “Fragments and Traces”

Event details: Fragments and Traces” presents during Wandsworth Arts Fringe 2016 from 5 to 8 May 2016  at Platform 1 Gallery on Wandsworth Common Station, Platform 1, Wandsworth Common, London SW12 8SG (entrance to the station and Platform 1 Gallery from Jaggard Way). Free admission, step-free access.

Private View: Thursday 5 May, 5:30 to 8:30 pm

Opening hours:

Friday 6 May, 12:00 pm to 6:00 pm
Saturday 7 May, 11:oo am to 5:00 pm
Sunday 8 May, 11:00 am to 5:00 pm.

Platform1Gallery_logo2   WandsworthFringe_logo

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‘The Promised Land (in amazing stereoscopic vision)’, 2016, digital video and stereoscopic goggles

Kelise Franclemont, 'The Promised Land', 2016, HD digital video on iPad with stereoscopic goggles and sound, duration 1:40 (looped). Image courtesy the artist.
Kelise Franclemont, ‘The Promised Land’, 2016, HD digital video on iPad with stereoscopic goggles and sound, duration 1:40 (looped). Image courtesy the artist.

The “Promised Land”, the land of milk and honey, the place where all good things will come to the chosen people and the true believers. In London, the “Promised Land” is not just for immigrants and dreamers, those who aspire to wealth and privilege that can be had in the capital, London is already here for the posh and the prosperous. This great golden city belongs to the movers and the shakers, the 1% who can afford to live in high-rise flats and work in their downtown shiny offices.

Not everyone is so lucky in the lottery of birth and not everybody finds the better life they seek when they get to “The Promised Land” they keep hearing about from their parents, friends, and politicians, tales that have been told since the Industrial Age…the sounds of building a high-rise contrasts starkly with the images in a different story of broken promises, dead-ends, and forgotten dreams.

Kelise Franclemont, ‘The Promised Land’, 2016, HD digital video on iPad with stereoscopic goggles and sound, duration 1:40 (looped) – EXCERPT

If the video does not auto-play, please click here.


‘The Promised Land’ was recently exhibited in ‘Fast Forward/Rewind’ – Chelsea Alumni Summer Show 2016 at Punctum Gallery, Chelsea College of Arts, from 18-22 July 2016.

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‘Postcards’ selected for ‘Identity’ group exhibition with AWAH, Manchester

 “Postcards from the Land of No People (wish you were here)”, 2015, printed postcards in a wooden rack  

A contemporary Orientalist sees herself in Palestine through a series of souvenir postcards… whether or not she belongs or is welcome there…

This piece is about how memory and identity intermingle and become truth for the author of that history. A series of found images dated from late 1890s are appropriated from the US Library of Congress “Holy Land” archives and the artist inserts herself into the image attempting to become an integral part of the narrative by almost any means possible. This can be a metaphor for personal history, the artist having once been immersed in all things Palestinian by marriage or the images could point to some vague but potent longing to belong to the exotic “Other” culture, even for just a moment as a tourist to some foreign land. There is an element of humour here, with the artist fully aware of the “square peg, round hole” issues at play here and the absurdity of a certain tone of Colonialism that tries to overwrite history, yet there is no lacking in sincerity for the love of this corner of the Earth once known as the “Land of No People”.

On the reverse of each card is written a message from the artist to “My darling” (a lover? a family member? a friend?), with the sentiment, “wish you were here!” along with a short message to share the experience with the postcard recipient.

To see this and the many other works in “Identity” (21 January to 13 March 2016), head to Manchester to Art with a Heart [AWAH], a charity arts organisation in nearby Altrincham.

Founded in 2012, AWAH is a charity that comprises of 4-5 small exhibition galleries, hosting workshops, exhibitions, charitable events, and volunteering opportunities aimed at supporting the arts and creative communities, as well as promoting Altrincham heritage and history.

If you’re in the area, have a look in!

IDENTITY-poster-724x1024

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‘A walk through Palestine’ installation included in ‘Ruins of Time’ exhibition – The Crypt Gallery, St Pancras, London

This small stone was once part of pleasing mathematics in tessellated patterns… a fan, a leaf, a flower. It remained in that belonging for nearly 2000 years until one day, it was dislocated from its home. In this instant, this fragment was transformed from artefact into another kind of ruin. A relic, this souvenir now belongs to no more than a memory, a resurrected existence in minutes and megabytes, and thus has become something much easier to destroy and to forget.

If you missed seeing “Ruins of Time” at The Crypt Gallery in St Pancras, click the link to walk through the virtual tour herehttps://vimeo.com/154992121 [Vimeo, duration 13:02 minutes]. My work appears at 4:45.

Kelise Franclemont, detail ‘A Walk through Palestine’, 2015, iPhone and video, duration 10:00mins (looped)

More links and information

RuinsofTime_e-flyer

  • You can see “A Walk through Palestine” in the upcoming “Ruins of Time” exhibition at The Crypt Gallery, St Pancras, London – 25 through 30 November 2015 – In the first project by London Munich Exchange [LME], 13 British and German artists descend into The Crypt beneath St Pancras to stage “Ruins of Time”, an exhibition of contemporary art that explores “time and its specific expression in the architecture of the site”.
  • A Walk through Palestine” was first exhibited in the MA Fine Art Summer Show 2015 at Chelsea College of Arts, London – 4 through 12 September 2015 – Helena Anderson from Candid Arts Magazine writes, “Some artists whose work stood out among the crowd were Kelise Franclemont, whose video, sound, and found object installation ‘a walk through Palestine (collectable, artefact, relic, souvenir)’ raised important questions of historical accuracy, the ethics of tourism, and cultural heritage”
  • Find out more about “Ruins of Time” exhibition at The Crypt Gallery on their official website
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‘Caught in the Act’, 2015, series of digital photographic prints

This exhibition of digital photographic prints by Kelise Franclemont, candidly documents preparation for the final MA Fine Art Summer show in August 2015. Stealing a glimpse of artists in the act of making, the images invite an intimacy with the subject. Taken on an iPhone without the artist’s knowledge or permission, these documents are being shared publicly for the first time as Display #17 for Chelsea Cafe Project.

These images capture fragmentary moments of production, becoming part of the history and biography of artist and artwork. By sharing these perceived intimacies, the photographer is embedding themselves within a narrative to an externalised audience; invited here to observe the relationship between the maker and the made. – from Chelsea Cafe Project blog. Display #17 curated by Cherie Silver.

More links and information:

Chelsea_Space_project_logo

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‘A Walk through Palestine (collectable, artefact, relic, souvenir)’, 2015, installation

This small stone was once part of pleasing mathematics in tessellated patterns… a fan, a leaf, a flower. It remained in that belonging for nearly 2000 years until one day, it was dislocated from its home. In this instant, this fragment was transformed from artefact into another kind of ruin. A relic, this souvenir now belongs to no more than a memory, a resurrected existence in minutes and megabytes, and thus has become something much easier to destroy and to forget.

Even the photos we take on our smartphones, stolen memories are remade to suit our own histories.

As seen in:  

MA Fine Art Postgraduate Summer Show 2015

at Chelsea College of Arts, London

Chelsea_MA_Show_e-flyer

More links and info about the MA Fine Art Summer Show

Chelsea_UAL_logo